The Story
Here comes No Obligation, the second full-length release from THE LINDA LINDAS further advances their unironic, joyful, and exciting trajectory of mashing up LA punk with alt-rock, garage rock, power pop, new wave, rock en espanol.
No Obligation was written and recorded by the band during spring breaks, winter breaks, and long weekends (Lucia and Eloise are still in high school, Mila just finished middle school, and Bela is patiently waiting for them to get done with it already) and was produced by Carlos de la Garza (Paramore, Best Coast, Bleached)
Known for their incredible musicianship and live performances, the band who has shared stages with and opened for Paramore, Japanese Breakfast, Jawbreaker, and Yeah Yeah Yeahs, are about to embark on a massive two-month tour across America with Green Day. Look for headlining shows at small clubs in between--including a sold-out gig at the famously DIY Gilman Street in Berkeley.
No Obligations. No expectations. No limits for THE LINDA LINDAS.
Details & Craftsmanship
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Description
Here comes No Obligation, the second full-length release from THE LINDA LINDAS further advances their unironic, joyful, and exciting trajectory of mashing up LA punk with alt-rock, garage rock, power pop, new wave, rock en espanol.
No Obligation was written and recorded by the band during spring breaks, winter breaks, and long weekends (Lucia and Eloise are still in high school, Mila just finished middle school, and Bela is patiently waiting for them to get done with it already) and was produced by Carlos de la Garza (Paramore, Best Coast, Bleached)
Known for their incredible musicianship and live performances, the band who has shared stages with and opened for Paramore, Japanese Breakfast, Jawbreaker, and Yeah Yeah Yeahs, are about to embark on a massive two-month tour across America with Green Day. Look for headlining shows at small clubs in between--including a sold-out gig at the famously DIY Gilman Street in Berkeley.
No Obligations. No expectations. No limits for THE LINDA LINDAS.
